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Explaining Hollywood: How to get a job as a costume designer Los Angeles Times

costume design jobs

Cinematographers tell a story through visual cinematography techniques. For many people who pursue entertainment as a career, it takes years to get yourself to where you are making money from your creative work. But more and more people are turning to platforms like TikTok, Twitch and Patreon. There are many pathways to becoming a costume designer, but two common ones are the set route and the office route.

Costume Design Jobs in United States

She sewed costumes for more than 30 Broadway shows, did stitching and tailoring for Beyoncé’s 2009 I Am … World tour and designed costumes for several off-off-Broadway shows. When the late Eiko Ishioka was designing costumes for the “Spider-Man” Broadway musical, Adams was her personal tailor, creating white TV covers and seat cushions for Ishioka’s all-white apartment. Costume designers not only design for a character, but for a film’s tone and themes. In the television series The Boys, costume design is used to contribute to the satirical tones and themes of the show.

Director of Costumes

After working on commercials and a small feature film, she got a costume designer job on a big-budget film that allowed her to travel to Russia, Romania and Greece. And while that was a glamorous job, when she came back, she didn’t have another gig lined up. But overall, costume designers usually get paid less than other heads of departments, and the guild is advocating for equal pay. On the surface, Adams’ story of how she became a costume designer sounds like a fairy tale.

Employee Experience Manager

The movie, which played at the Sundance Film Festival in 2016, spanned from the 1960s to the 1990s, so the costumes were important to signify where the story was in the timeline. Great costume designers create iconic looks while also adding depth to a film’s world, characters and story. Great movies are often praised for incredible direction, cinematography, or performances. But one of the more important aspects of the filmmaking process that unfortunately does not receive proper recognition is costume design.

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COSTUME DESIGNER DEFINITION

And they must understand their character arcs, their internal and external conflicts, and how they fall into the world of a film. Here is Game of Thrones designer Michele Clapton breaking down she designed the iconic costumes of one HBO’s best television series. “We didn’t want any costume to say a particular time or place or moment, because all the Diana fans would know its historical place card,” says costume designer Jacqueline Durran. There were design programs for fashion 20 years ago, May said, but fewer of them catered specifically to costume design for film and television.

Costume designers tell a story through clothing, using the language of fashion to help express aspects of a play or opera's setting, mood, and characters. The job is about much more than putting together a nice outfit, requiring a deep understanding of stage production, a thorough knowledge of fashion and costuming history, and an eye for creating standout visual designs. With each wardrobe element and accessory, costume designers bring the characters and settings to life, and immerse audiences—and actors—in their time period, culture, and world. A costume designer is responsible for designing, creating, or purchasing the costumes, and wardrobe that actors wear in a film, television, or stage production. Costume designers work similarly to a fashion designer, but design clothing specifically for film and stage productions. Therefore, costume designers must have a solid understanding of story, character, mood, and other filmmaking elements.

How to pay your bills when you’re starting out in Hollywood

Adams, a costume design assistant at the time, had been working such long hours that she slept in the office some nights. Her team spent months making hundreds of costumes, and it was the first time she saw them all together. If all of this seems like a role you’d enjoy and pursue, then let’s take a look at how one might get started in this career. First and foremost, a background in an education in costume design will give you an advantage when just starting out in the field. This can entail matching a character’s wardrobe to their social status, personality, and identity.

costume design jobs

Many costume designers start out as production assistants in the costume department. Designing costumes and wardrobe is essentially a part of world building. What a character wears can tell you both where and when the story is taking place. Period pieces often entail research of what the fashion was during the time period the film takes place. Costume designers, who tend to have at least a bachelor's degree and at most a master's in costuming, usually get their start as costume makers.

How is this career different than it was 10 or 25 years ago?

They are storytellers that utilize the craft of fashion design to tell a story. In this article, we’ll take a look at the differences between a fashion designer and costume designer, the responsibilities of a costume designer, and why those responsibilities make them integral to the filmmaking process. It also helps if you like spreadsheets, because there’s a lot to keep track of. Costume designers may be dressing not only the principal cast but also the guest stars and background characters.

costume design jobs

With this experience you can work into becoming an assistant designer and work toward working on larger productions. For example, The Irishman screenplay takes place over five decades. This required a ton of research to see how fashion changed over time and how they would change the costumes over the course of the film. Costume designers, who tend to have at least a bachelor's degree and at most a master's in costuming, usually get their start as costume makers. For “Minari,” Song did a lot of research on how South Korean immigrants dressed in the U.S. in the 1980s, but she could also draw on her instincts and family history.

A fashion designer typically will be designing a wardrobe or outfit for a specific event such as a gala. Costume designers are creative, resourceful, observant, and analytical. They have a deep knowledge of and curiosity about fashion and costuming history, and are experts in using clothing and accessories to enhance character and story.

For “Never Have I Ever,” Perez hired a young graduate of L.A.’s Fashion Institute of Design and Manufacturing, Ammaarah Jalal, as a costumes production assistant. Even though he has been shopping in Artesia for decades, browsing through the boutiques with an Indian American designer was an entirely different experience, he said. As a production assistant, you’re likely making minimum wage on a 10- to 12-hour day with no benefits, he said. (Production assistants are not part of the union.) An entry level costumer in the union, however, will make between $30 and $45 an hour. And costumers often work 60 to 70 hours a week, so there’s a lot of overtime.

This article is part of a series on starting and building entertainment industry careers. Another reason Perez recommends newcomers enter the industry through a craft, as opposed to a wardrobe PA gig, is the pay difference. Costume designer Clint Ramos re-created and reinterpreted the Queen of Soul’s style. Many fantasy, sci-fi and period projects are “build shows,” Bronfman said; because you can’t purchase any of these costumes, you have to build them. Whitney Anne Adams remembers bawling on the set of Baz Luhrmann’s “The Great Gatsby” during the filming of a lavish party scene in Gatsby’s 1920s New York mansion. Because Song comes from a low-income family, she didn’t have a financial safety net.

Research is not only relevant to period pieces, but all types of films. Even fantasy films, although they may take place in other worlds, are based off of some research. Even in a television show like Game of Thrones, costumes are designed from prior research. Where they differ, however, is what they are creating clothing for.

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